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Friday, December 16, 2022

A 150-year-old poem that is still relevant

Whilst there probably isn’t a Poem of the Year, one columnist believes this year’s choice of words really could be considered to be summed up in the Emily Dickinson poem that is best known by the first line “Tell all the truth but tell it slant -”, 

The poem which is believed to have been written in 1872, but some experts argue may well have been written much earlier actually has no title as Dickinson chose not to give it one and is always referred to by its first line. 

It was not published until 1886, after the poet’s death. It could, however be said that this 150-year-old poem really speaks to us today in 2022.

What is it that columnist Chris Schillig believes makes this poem’s words resonate so clearly with us all this time later? 

Well, it’s still as important now as it was then to be diplomatic when it comes to speaking the truth. 

“Slant” is often key when it comes to telling the truth. Many a partner will have used this tool when facing the dreaded question, “How does this look” or “do you like my new dress/hairstyle etc.”. 

The world may not collapse as a result of the truthful answer to these questions, but a relationship may certainly find itself on the rocks without slant.

In essence, what Dickinson’s poem does is speak to those who have not been dazzled by promises that are false and serves to remind those who have on how they should speak. 

We live in a world of dissatisfaction where people are far less uncomfortable about the idea of speaking out, but there is something to be said for reigning in opinions and keeping more extreme views to oneself just as much today as 150 years ago.

Poet Koleka Putuma wins big at the Standard Bank Young Artist Awards 2022

Koleka Putuma is among the winners at the Standard Bank Young Artist Awards 2022 announced on December 1, 2022.

The Standard Bank Young Artist Awards were established in 1981 to celebrate emerging South African artists who live their personal truth through their art and show exceptional talent in their chosen medium but have not yet received recognition and acclaim. 

For the previous years, those awarded were in visual art, dance, jazz, music, and theatre.

National Arts Festival CEO, Monica Newton said, “The 2022 Standard Bank Artists are a cutting-edge and diverse group of creatives that are defining the South African cultural moment. We look forward to their fresh perspectives and original performances at the 2023 National Arts Festival. The awards have made it possible for hundreds of artists to be part of the National Arts Festival over the last 41 years and to take their careers to new heights. We would like to thank our partners Standard Bank for their ongoing commitment to the arts in South Africa.”

For 2022, the poetry category was awarded for the first time and it went to multi-award-winning theatre practitioner, writer, and poet Koleka Putuma. 

Her poetry tackles themes such as homophobia, womanhood, race and the dynamics of relationships, religion and politics. 

Her poetry is sharp and thought provoking, unique in its form, language, and structure.

Putuma in response to the honour said, “Standard Bank Young Artist of the Year for Poetry. Wild. Honoured to be the first recipient in this new category & I hope it sticks around.”

Monday, December 12, 2022

Poetry book of Struggle stalwart launched

Over the weekend, the bilingual volume of poetry by the late Victor Wessels was launched at Livingstone High School 40 years after his death and banning.

Wessels was an accomplished teacher, writer and a stalwart in the Struggle against racial capitalism in South Africa – one of many voices silenced during apartheid.

The book, titled Testimony, was published by African Sun Media and edited by Allan Zinn, director of the Centre for the Advancement of Non-Racialism and Democracy at Nelson Mandela University (NMU); Denise Zinn, former deputy vice-chancellor of Teaching and Learning at NMU; and paediatrician Doctor Abe Daniels, who were all close to the poet.

Renowned South African writer, poet and activist Diana Ferrus said the collection reflected the experience of suffering, resistance and betrayal from the horse’s mouth and that she regarded it as one of the truest reflections of a South African revolutionary.

Wessels had several encounters with the state security services and received a restrictive banning order which placed him under house arrest and barred him from all public gatherings and publishing any reading matter, as well as from entering schools, universities or public libraries.

The book was dedicated to Wessels’s only son Anton Wessels, who said teaching remained his father’s passion right until the end, and he had vowed to find a way to continue after his restrictive banning summarily destroyed his formal teaching career.

Now, through this book, Wessels would be teaching generations for years to come as some books would also be donated to local schools.

Those in attendance included speakers who included political activists, teachers, family and friends such as Imam Haron’s children and veteran journalist Zubeida Jaffer.

Denise Zinn said Wessels wrote about love, loss and people who had died at the hands of the security police.

Zinn said a few poems were actually about Imam Haron’s death in detention, and that the picture of Wessels on the cover was actually taken while he was speaking at Haron’s funeral.

Poet and activist Mongane Serote said: “While the Struggle against apartheid oppression gave rise to the genre of protest poetry, it also silenced many and significant dissenting voices, like Victor’s, via forced removal and successive banning orders. My thanks to the diligent compilers and editors for bringing this anthology to the light of day.”

Wednesday, December 7, 2022

Afro Poetry Times has put together a special #Christmas issue that is set to amp up your holidays

The year is slowly coming to an end.

Christmas poems each year bring joy to those who celebrate the holiday.

We've put together a special Christmas issue that is set to amp up your holidays. 

The poems and the art we’ve included have a similarly lively energy to an energetic smile. 

We hope this action-packed issue will keep you entertained during the long December nights!

Get your digital copy from PressReader - the leading global press distributor. 

https://www.pressreader.com/canada/afro-poetry-times/20221201

Thursday, December 1, 2022

Incredible Poem About Everyday Sexism Wins Forward Prize

Kim Moore has been named the winner of this year’s Forward Prize for her collection of poetry, “All the Men I Never Married”.

 The book which the judges described as phenomenal, earned her the £10,000 prize for best collection.

A total of 48 poems are in the book, which looks at the experiences of sexism on a daily basis, as seen through a collection of significant others and exes.

The awards ceremony, which took place in Manchester, also saw the Felix Dennis Prize for best first collection awarded to Stephanie Sy-Quia for Amnion and Nick Laird’s Up Late receiving the prize in the best single poem category.

The Forward Arts Foundation also announced that the judging panel for next year’s prize will be chaired by Joelle Taylor and Bernardine Evaristo.

Google Doodle For Emirati Poet

Ousha Al Suwaidi, who is an Emirati poet, has been honoured in Google Doodle format this week. 

The poet, who is commonly known as Ousha the Poet’s full name is Ousha bint Khalifa Al Suwaidi. Considered to be amongst the 20thcenturies finest Nabati poets, Al Suwaidi was first recognised on 28th November 2011 for the contributions that she has made to literature.

There is also an annual award that has been dedicated to the honour of the poet. And both a section of the Dubai Women’s Museum and a library at the Emirates International School are dedicated to her as well.

This Google Doodle, which was broadcast across the Arab world, was the work of Reem Al Mazrouei, who is an artist from Abu Dhabi.

Born on 1st January 1920, Al Suwaidi was known by several nicknames, including Fata Al Khaleej (translates to the Girl of the Gulf) as well as Fatat Al Arab (also known as Girl of the Arabs). 

She penned so many poems in such a short space of time that she was often referred to as Gulf Poet Laureate.

She grew up surrounded by literature of all forms, and by the age of 15, she had been recognised for her poetry recitals, an achievement which opened up doors for women in what was considered to be a male world. 

Her work even went on to inspire others, including Sheikh Mohammed bin Rashid, who published his own collection of poetry in 1989.

Written in Nabati, her work explored the themes of wisdom, love, patriotism and nostalgia, as well as looking at the Arabian Gulf desert landscapes. She was herself inspired by classical poets like Abu Tamman, and Al Ma’arri.

Al Suwaidi died at the age of 98 in July 2018. Her legacy lives on in the poems and songs of popular poets and singers.

South African Literary Awards 2022 winners announced

The winners of the South African Literary Awards 2022 were announced in a ceremony in Durban, South Africa on Monday, November 7, 2022.

The South African Literary Awards, popularly referred to as the SALAs, have honoured many authors since they were founded in 2005. 

Winning writers and poets have included Es’kia Mphahlele, Nadine Gordimer, Miriam Tlali, Lauretta Ngcobo, Keorapetse Willie Kgositsile, Wally Mongane Serote, Sindiwe Magona, Zakes Mda, Panashe Chigumadzi, Zukiswa Wanner, Sihle Khumalo, Nuruddin Farah, Yewande Omotoso, Sifiso Mzobe, Sabata Mpho Mokae, and Phillippa Yaa de Villiers.

The SALAs, organised by wRite Associates, honour writing and writers in all South African official languages across nine categories. On October 18, the shortlists from 266 submissions received were made public. 

The winners were announced in a ceremony as part of the Africa Century International African Writers Conference on Monday.

Gauteng International Book Festival set for December 11

The Gauteng International Book Festival is set to be hosted in Soweto, South Africa on December 11, 2022. The festival theme is “Unlimited Africa.”

There is a new festival in the African literary scene going by the name Gauteng International Book Festival. It will be hosted in Soweto, just off the historic Vilakazi Street at the Ubuntu Kraal where Soweto Craft Beer is brewed on Sunday, December 11.
 
Here is the full statement from the organisers in full;

In the heart of Soweto – just off historic Vilakazi Street – Festival Director, Lorraine Sithole, will host the inaugural Gauteng International Book Festival on Sunday, December 11th, 2022, at Ubuntu Kraal. 

The Gauteng International Book Festival is where African stories come alive. The best of South Africa’s literati will spend the day sharing their latest books with readers of all ages, from near and far. Fred Khumalo, Dudu Busani-Dube, Sue Nyathi, Mpush Ntabeni, Songezo Zibi, Chef Mbombi, and Lorato Trok lead a stellar lineup of biographers, historical novelists, and writers of iconic children’s books in book discussions and signings.

The festival aims to “…inspire the culture of reading for leisure within our communities, connect book lovers, and host conversations between our favourite writers and readers.” Gauteng has a vibrant reading culture, and we would like the Gauteng International Book Festival to end the year by celebrating the best African books!

The theme for the Gauteng International Book Festival 2022 is: “Unlimited Africa”. The festival centers Africa as inspirational, and unlimited. The two headliners for 2022 are – Dudu Busani-Dube and Fred Khumalo, with the 2022 keynote address delivered by the multi-award winner, Dr. Nokuthula Mazibuko Msimang.

A day’s pass costs R100 via Quicket and tickets will also be sold on the day at the gate. The day starts at 9h00 am and ends at 5h30 pm. 

The two-part family-friendly programme features an enthralling storytelling extravaganza for children and the young at heart where 12 children’s authors will share stories fireside-esque, games, and illustrations; while the literary programme has 23 panelists: 18 authors and 5 moderators. 

Sessions will cover topics such as the current state of our nation, to the importance of our stories with a live cooking session where the shisanyama will be elevated.

Books and food will be sold at the venue.

Friday, November 18, 2022

Inspiring book by 12-year-old author


Spurred by her love of reading and writing, Tailei Richards has managed to achieve one of her biggest goals at the young age of 12 – to become a published author.

Tailei, who is in Grade 5 at Lilyfontein Primary School, recently published her book called Finding Home, which tells the story of an orphan named Lila who has her mind set on finding her family.

When things get tough at the orphanage, Lila’s faith is tested and she must rely on God to calm the worries in her heart.

“When I was in Grade 4 my teacher discovered that I had a gift for writing.

“My classmates started giving me ideas for short stories that my teacher would read to us all once I had written them.

“One of these ideas was ‘A story of an orphan’. That is how Lila, the orphan in my book, came to be. I got so involved in this particular story that before I knew it, I had written much more than a short story.

“Before we knew it the idea of turning my story into a book was born,” said Tailei.

With the help of her grandmother, who taught her some skills in digital art, Richards was able to create the illustrations for the book herself.

Tailei said Karen Kingsbury was among her favourite authors.

But her biggest support system throughout her journey had been her teacher and her family.

“I got a lot of encouragement to keep writing from my Grade 4 teacher. My parents and siblings also supported me and helped edit it along the way.

“I want people to be inspired by my book. I want them to know that anything is possible with God and that he cares more than anyone and that because of him there is hope in Jesus,” said Tailei.

Publishing Finding Home signified the beginning of a long journey for her as an author, she said.

“My goal is to publish and write as many books as possible in the future,” Tailei said.

Wednesday, November 16, 2022

Date set for Gauteng International Book Festival

The Gauteng International Book Festival is set to be hosted in Soweto, South Africa on December 11, 2022. The festival theme is “Unlimited Africa.”

There is a new festival in the African literary scene going by the name Gauteng International Book Festival. It will be hosted in Soweto, just off the historic Vilakazi Street at the Ubuntu Kraal where Soweto Craft Beer is brewed on Sunday, December 11.
 
Here is the full statement from the organisers in full;

In the heart of Soweto – just off historic Vilakazi Street – Festival Director, Lorraine Sithole, will host the inaugural Gauteng International Book Festival on Sunday, December 11th, 2022, at Ubuntu Kraal. 

The Gauteng International Book Festival is where African stories come alive. The best of South Africa’s literati will spend the day sharing their latest books with readers of all ages, from near and far. 

Fred Khumalo, Dudu Busani-Dube, Sue Nyathi, Mpush Ntabeni, Songezo Zibi, Chef Mbombi, and Lorato Trok lead a stellar lineup of biographers, historical novelists, and writers of iconic children’s books in book discussions and signings.

The festival aims to “…inspire the culture of reading for leisure within our communities, connect book lovers, and host conversations between our favourite writers and readers.” 

Gauteng has a vibrant reading culture, and we would like the Gauteng International Book Festival to end the year by celebrating the best African books!

The theme for the Gauteng International Book Festival 2022 is: “Unlimited Africa”. The festival centers Africa as inspirational, and unlimited. 

The two headliners for 2022 are – Dudu Busani-Dube and Fred Khumalo, with the 2022 keynote address delivered by the multi-award winner, Dr. Nokuthula Mazibuko Msimang.

A day’s pass costs R100 via Quicket and tickets will also be sold on the day at the gate. The day starts at 9h00 am and ends at 5h30 pm. 

The two-part family-friendly programme features an enthralling storytelling extravaganza for children and the young at heart where 12 children’s authors will share stories fireside-esque, games, and illustrations; while the literary programme has 23 panelists: 18 authors and 5 moderators. 

Sessions will cover topics such as the current state of our nation, to the importance of our stories with a live cooking session where the shisanyama will be elevated.

Books and food will be sold at the venue.

Christmas giveaway - WIN a copy of The Light We Carry by Michelle Obama!

The Light We Carry by Michelle Obama Copy.

When we are able to recognize our own light, we become empowered to use it,” writes Michelle Obama.

We’re giving away a copy of The Light We Carry by Michelle Obama.

To stand a chance of winning, simply fill in your details.

Competition closes on 19 December 2022 and winners will be announced shortly thereafter.

Enter from the link below

https://www.dailyonlinecompetitions.co.za/win-a-copy-of-the-light-we-carry-by-michelle-obama/

Nigerian writer wins big at the World Fantasy Awards 2022 in the US

Oghenechovwe Donald Ekpeki’s The Year’s Best African Speculative Fiction (2021) won at the World Fantasy Awards 2022 in New Orleans, Louisiana, USA on November 7, 2022.

The World Fantasy Awards have been awarded annually for the best fantasy fiction published during the previous calendar year since 1975. 

It is organised and overseen by the World Fantasy Convention. Kacen Callender, Rivers Solomon, Nisi Shawl, Ebony Elizabeth Thomas, and Sheree Renée Thomas were finalists in 2020.

This year’s judges are C. S. E. Cooney, Julie Crisp, C.C. Finlay, Richard Kadrey, and Misha Stone and they announced the finalists on July 20. 

The winners of the awards were revealed at the World Fantasy Awards 2022 in New Orleans, Louisiana, USA. 

Sunday, November 13, 2022

The Afro Poetry Times has November covered. It's a new era for African poetry

The rich value of poetry can never be traded for a dime. 

November is a time for reflection as we wrap up the year. Memories flourished like a bed of roses. 

For many people love was won, battles were fought, happiness lingered but tragedy also struck. 

What better to deal with all those good and bad memories than through a rich dosage of poetry. 

The Afro Poetry Times always aims to stay relevant by keeping the poetry conversation alive. 

The November 2022 edition is out and as usual, the digital edition is available on PressReader - the leading digital press distributor. 

Why not immense your soul in some thought provoking poetry? 

https://www.pressreader.com/canada/afro-poetry-times/20221101

Wednesday, November 2, 2022

Kistrech International Poetry Festival 2022 described as a huge success in Kenya

The Kistrech International Poetry Festival 2022 was hosted in several venues around Kenya from October 8 – 14, 2022.

The Kistrech International Poetry Festival was founded to promote poetry and cultural exchange between local and foreign artists by Dr Christopher Okemwa in 2013. 

The annual festival features spoken-word, rap, song, poetry reading, oral poetry, music instrument-playing, and other performances.

For 2022, the festival had poetry readings and launches hosted over several days in Kisii, Machakos, and Rusinga Island.

Taking part were guests from Kenya and across the world which included Cornelius Muthuri, Istvan Turczi (the current Vice President of the World Congress of Poets and Secretary General of the Hungarian PEN Centre), Bonface Nyamweya, Alfred Nyamwange, Josephat Ndege Mauti, Evans Mecha, Antanas A. Jonynas, Chrys Salt, Caren Jepkogei, Yolanda Castano, John Mugubi, Tony Mochama, Joseph Muleka, Karla Brundage, Prof. Dr. Laksmisree Banerjee, Nicholas Omondi, Tom Odhiambo, Maria Dixen, George Nyandoro, Bwocha Nyagemi, and Ruth Jepkorir Koech.

Poetry Competitions, Submissions & Opportunities – NOVEMBER 2022

The clocks have gone back and winter is here, along with the November poetry list and 140 poetry competitions, writing submissions and opportunities – open or with deadlines between now and the end of the month!

NOVEMBER 2022

Ninth Letter (Web Edition)  – Poetry, Fiction, Non-fiction, theme: Constellations – closes 1 Nov (submit online)
The Poetry Society Members’ Competition – Poetry, theme: Jazz – closes 1 Nov (submit online)
Prole Laureate Poetry Competition – Poetry – closes 5 Nov (submit online)
The Francis Ledwidge Poetry Award – Poetry – closes 5 Nov (submit online or by post)
Poetry Book Society Metro Poetry Competition – Poetry, theme: Home – closes 6 Nov (submit online)
Anthology Magazine Poetry Prize – Poetry, theme: Dreams – closes 7 Nov (submit online)
Finished Creatures – Poetry, theme: Shelter – closes 7 Nov (submit online)
The Martello Journal – Poetry, Flash, Art, theme: Sanctuary – closes 7 Nov (submit online)
Defunkt Magazine – Poetry, Fiction – closes 13 Nov (submit online)
The Interpreter’s House – Poetry, Fiction – closes 14 Nov (submit online)
Abridged 0-92: The Violet Hour – Poetry – closes 15 Nov (submit online)
Carve Magazine Prose & Poetry Contest – Poetry, Fiction, Non-fiction – closes 15 Nov (submit online)
Frontier Global Poetry Prize – Poetry – closes 15 Nov (submit online)
The Hellebore – Poetry, Flash – closes 15 Nov (submit online)
The Pig’s Back – Fiction, Non-fiction – closes 15 Nov (submit online)
Shooter Literary Magazine – Poetry, Fiction, Non-Fiction, theme: On The Body – closes 20 Nov (submit online)
Wales Poetry Award – Poetry – closes 26 Nov (submit online)
Shooter Poetry Competition – Poetry – closes 27 Nov (submit online)
Broken Sleep Books – Poetry pamphlet (up to 40 pages) – closes 30 Nov (submit online)
Crannog – Poetry, Fiction – closes 30 Nov (submit online)
East Riding Festival of Words Poetry Competition – Poetry – closes 30 Nov (submit online)
Gregory O’Donoghue International Poetry Competition – Poetry – closes 30 Nov (submit online)
Lammergeier – Poetry, Fiction, Non-fiction, Hybrid – closes 30 Nov (submit online)
Nine Pens Pamphlet Series – Poetry manuscripts (max. 40 pages) – closes 30 Nov (submit online)
Propel Magazine – Poetry (unpublished poets in UK/Ireland) – closes 30 Nov (submit online)
Split Lip Magazine – Poetry, Fiction, Flash, Memoir & more – closes 30 Nov (submit online)
The Boiler Prize – Prose Poem/Flash/Hybrid – closes 30 Nov (submit online)
The Fiddlehead – Poetry – closes 30 Nov (submit online)
The Maine Review – Poetry, Fiction, Non-fiction – closes 30 Nov (submit online)
The Stinging Fly – Poetry, Fiction, Non-fiction – opens 15 Nov / closes 30 Nov (submit online)
Waxwing – Poetry (note: 300 entry limit – may close earlier) – closes 30 Nov (submit online)
Okay Donkey – Poetry, Flash – closes 1 Dec (submit online)
C.P. Cavafy Prize – Poetry – closes 1 Dec (submit online)
Petrichor Magazine – Poetry, Creative Non-fiction, Art, theme: Ecopoetics – closes 1 Dec (submit online)
The Common – Poetry, Fiction, Flash, Non-fiction – closes 1 Dec (submit online)
The Normal School – Poetry, Fiction, Non-fiction, Multimedia – closes 1 Dec (submit online)
The Ralph Gustafson Prize – Poetry – closes 1 Dec (submit online)

Thursday, September 29, 2022

Poetry Africa Festival announces dates, theme and tour

The University of KwaZulu-Natal’s Centre for Creative Arts (CCA) will host the 26th Poetry Africa International Festival from October 6 to October 16. 

The theme is: ‘Poetic (In)Justice: Voices That Breathe, Move and Transform’, and the festival is an ode to the depth of perspective that poetry affords us in seeing and articulating (in)justice. 

This year, the festival is taking place in Johannesburg and Durban, and some of the sessions will take place virtually.

The Centre for Creative Arts and the University of Johannesburg’s Arts and Culture Department have, for the past decade, informally collaborated to bring down a small cohort of poetry students from Johannesburg to participate in the Poetry Africa Festival. 

This year, they have made their relationship official and are launching the first Poetry Africa On Tour.

Poetry Africa On Tour is a three-day live programme from October 6 to October 8 that will break Poetry Africa out of its geographical shell and extend its footprint and imprint to Johannesburg and other local cities and provinces. 

This staging has created a space for the poetry community outside of Durban to shift into the role of engaged makers of the festival and has expanded the repertoire of what can be experienced through it. 

It also marries mobility with accessibility by delivering some of the live offerings of the festival to the doorstep of an audience in Johannesburg who may not have the capacity to attend the main event.

“We hope that this installment of the festival will afford poets – who are doing the unsung labour of nurturing poetic practices and reach in their respective locales – the opportunity to plug into the thriving and enabling ecosystem that has formed around this unprecedented platform for poetry on the continent,” said Quaz Roodt, Art Coordinator at UJ.

On October 6, the festival will present What’s a Woman’s Worth?, featuring Philippa Yaa De Villiers, Lebo Mashile, Roche Kester, Vangile Gantsho, Nomashenge and Belita Andre. 

It is a first-of-its-kind focus on women-by-women performance and a cross-generational probing into the vast spectrum of degradation to the celebration that determines the worth of a woman. 

The show will take place at the Keorapetse Kgositsile Theatre, Kingsway Campus.
Belita Andre is a Johannesburg-based spoken-word artist of Nigerian and Namibian descent. 

She is at the forefront of the Johannesburg poetry scene as both a performer and organiser. 

October 7 is the day poets will battle it out in the semi-final of the 20th iteration of the Slam Jam competition, an annual festival highlight. 

The finals will take place in Durban, and the winner will walk away with an accumulative price of R22 000 and an international trip to participate in the World Slam Competition 2023.

On October 8, South African poets, Thando Fuze, Siphokazi Jonas, Xabiso Vili, Sabelo Soko and Modise Segkothe, joined by Mana Bugallo from Argentina and Lydol from Cameroon, will show if it is possible to tilt the scales of poetic forms toward abstracted and experimental dimensions in ‘Tilting the Scales’. 

The audience can expect an evening of poetry that is defiant in its content and presentation.

Lydol is a Cameroonian singer and actress and will be performing at the upcoming Poetry Africa festival.

For the 26th year in a row, the Poetry Africa festival in Durban sets the stage for poetry with a curatorial focus on quality, variety, renewal, and reflection. 

Poetry Africa offers a stage for beginner and well-established poets and gives audiences an overview of modern poetry’s new developments and current topics. 

In 2022, most of the festival programme will be presented live in Durban, with an On Tour programme with performances in Johannesburg and throughout KwaZulu-Natal. 

Lastly, a selection of seminars and readings will be presented online. During the ten-day programme, you can expect over 35 poets from South Africa, Africa and the world.

The entire programme will be available on poetryafrica.ukzn.ac.za.

The most expensive poem in the world - the US$525,000 Poem

In November 2021, a poem was presented for sale at the Christie’s Auction House in New York. 

This was not a manuscript or a printed bound book – this was something a little different. The poem which was titled “Arcadia” was in fact a nine and 48-second long animation with an electronic music soundtrack and it was by the musician RAC. 

This poem was the very first collaborative NFT in the form of interdisciplinary art that had ever been put forward for auction.

The price it fetched when the hammer fell was $525,000, and the sale earned Arch Hades, the 30-year-old British poet who was born in Russia, the title of the “highest paid poet of all time”. 

Since its purchase, the poem has been displayed in Florence at the Palazzo Strozzi, and now it is due to be released as a published book as well.

The poem is made up of five rhyming cantos, and the work is a representation of a completely new medium and offers a new tone for a poet who already has over one million followers on Instagram and a three-agreed book deal with poems that look at the topic of lovers who are emotionally unavailable, summer evenings and the questions that might be asked about privilege. 

Hades (not her real name) went straight from university to work as a researcher in parliament, something that she does not like to talk about. 

She left to follow her dreams of becoming a writer, something she had actually always wanted to do.

She was just eight years old when her father was murdered in St Petersburg in an alleyway. Her family moved, changed their name and sent her to boarding school. 

She was lonely, had lots of free time and read a lot of books by dead philosophers during this time.

Arcadia took her just a month to write, and she completed it during lockdown before deciding to collaborate with RAC, who was a friend, in order to create an NFT – a project that was born from a simple lack of funds as a result of a cancelled poetry tour.

With the successful sale of the NFA, Hades has joined the growing population of Instapoets who have become famous in recent years, including Rupi Kaur, Greta Ballamacina and Brian Bilston, the self-proclaimed “Poet laureate of Twitter.” 

Each of them has taken their social media feeds and turned them into book deals, very successful ones that have made a significant contribution to the boost in poetry book sales of recent years.

Wednesday, September 28, 2022

Young author releases a book that has a deep Xhosa perspective


A young Eastern Cape author has written a book aimed at anyone who wants to know more about the Xhosa culture and traditions, aptly named Don’t Upset ooMalume! A Guide to Stepping Up Your Xhosa Game.

Hombakazi Mercy Nqandeka said the guide to Xhosa culture with stories from daily rural life in the villages of Mqele and Bulungula, and lessons taught by her mother and grandmothers, hoped to help reconnect Xhosa people to their roots.

The “ooMalume” title refers to the crusty old uncle, or “malume”, who will wag his finger at disrespectful youngsters from the city who have lost touch with their roots and cultural identity.

The author, 33, is an agriculturalist by profession who started writing at high school, but only started to take it seriously at university.

“I went to study abroad in Ireland and France, and being away from home made me write a lot,” she said.

The book was written in English and isiXhosa, with every topic covered in both languages for good reason, Nqandeka said.

“It is not just a book for amaXhosa but for everybody who’s interested in learning about the Xhosa culture.

“I wrote everything in English first ,and then I translated it into Xhosa and it’s in accessible language.

“There are amaXhosa who have grown up in the cities also who don’t know the traditions and history, but it would be very limiting if it was only in Xhosa.”

And, yes, there is a special uncle in her own family, from whom she has learnt a lot.

“He’s the main figure we have at home because my father passed on when we were very young.

“I am also glad that people are now realising the importance of recording things and not only having an oral history.”

Nqandeka has a double master’s degree in agriculture, climate change and transition from the National University of Ireland and the University of Montpellier SupAgro in France.

When she returned from her studies, she did not find work immediately.

She moved home to live with her mother at the end of 2019, and then spent much of the next year in Mqele, in the northeast Eastern Cape.

“I started taking pictures of food, clothes, beads, nature and wrote stories of what they meant, and their significance.

“It just came out of me trying to find something to light up my days because there was nothing, and I was trying to figure out life.”

In doing so, she created a community of people on social media who wanted to learn more about her culture.

Then, as the posts grew increasingly popular, she had the idea to turn them into a book.

Tuesday, September 27, 2022

Music, poetry, comedy kick off Bay Arts Festival


Music, poetry, theatre and dance are on the menu for arts lovers in Gqeberha as the inaugural Mandela Bay Arts Festival kicks off on Friday.

From 6pm, six productions of different genres will light up stages at three different venues to ensure no Nelson Mandela Bay arts lover is left out.

Dancers Sinoxolo Botha and Odwa Zwedala, musicians Wandiswa Gogela, Sibongile Tsoni and Ahlumile Mankeya and choreographer and director Nomaxabiso Rala will take to the dance floor to deliver Rala’s dance production, Paths Crossing.

Paths Crossing interrogates human bodies and their interaction with outside elements.

“The production is an exploration of who we are in relation to life, who we are alongside this life,” Rala says.

Rala started contemporary dance in 1998 and has conducted dance workshops in a number of schools in Gqeberha and East London.

Having started her dance education at Moving Into Dance Mophathong, she specialised in afro fusion, contemporary dance, history of dance and arts management.

She joined the East London Guild Theatre Dance Company in 2007 and has been a part of the Mandela Bay Theatre Complex’s Dance Season and the
Woman in Arts Manyano Festival. 

The dance production will be at the Mandela Bay Theatre Complex at 6pm on Friday and again on Thursday.

A mixture of experienced and new comedians are set to tickle the audience’s funny bones with the travelling comedy production, Stand Up People.

Comedians include Siphelele Qoqoshe, Tsepiso Nzayo, Sqhazolo, Lonwabo Xatasi, Philile Mnunwa, Nkosinathi Maki, Ngcaphephe, Mbu Msongelwa, TD Jokes and Phakamisa Fayindlala while DJ MissJay will be behind the decks.

The show will start at the Masifunde Changemaker Academy at 6pm on Friday and move to the St Thomas High School Auditorium at 7pm on Saturday, Mandela Bay Theatre Complex at 7pm on Wednesday and the Mendi Art Centre at 7pm on Thursday.

For music lovers, Walmer musician Joliza brings his Bhacasoul Experience — a live music concert that pays homage to Joliza’s Bhaca ethnicity — to the Mendi Arts Centre at 6pm on Friday and 8pm at the Mandela Bay Theatre Complex on Saturday next week.

Though he was born in Gqeberha, Joliza’s family is from Emawusheni village which was originally inhabited by a tribe known as Amawushe in KwaBhaca (formerly Mount Frere) in the former Transkei.

Even though his music reflects some elements of Afro soul, jazz and maskandi, Joliza calls his sound Bhaca soul music, a genre which leans more on traditional Bhaca rhythm elements of ukucwiya (spiritual singing), ukuvalela (spiritual humming) and ukusina (spiritual dancing). 

Veteran musician Sizwe Zako and his accompanying band present KwaXhosa — a music concert focused on highlighting the arts, culture and history of the amaXhosa — at the Athenaeum from 7pm on Friday, the Mendi Arts Centre at 7pm on Wednesday and back at the Athenaeum at 8pm on Friday next week.

Zako will take to the stage as the show’s musical director and first keys player.
He is accompanied by Khaya on second keys, Thembani on Bass, Mncedisi on percussions and Siya Koyo on vocals.

Nelson Mandela Bay dancer Junior Ferreira leads The Uprising, a moving production which tells the story of the famous 1976 uprising through dance and music, at the Mandela Bay Theatre Complex at 8pm on Friday.

The show will return to the same stage on Thursday at 8pm.

The multi-award winning dancer’s previous productions include Marikana: A Greener Tomorrow, Women Die Here, The Whirlwind: Dawie Sterman Story and Nelson Mandela Long Walk to Freedom.

The production will be at the Mandela Bay Theatre Complex’s The Barn at 8pm on Friday, at 2pm on Saturday and Sunday as well as 2pm on October 1.

Sunday, September 25, 2022

We wake up and shine not because we are bright - Afro Poetry Times October issue carries the dosage for inspiration.

In his poem titled "Sweet hurting", the Afro Poetry Times editor uses the following words to describe positive energy when one feels down and out. 

....We wake up and shine not because we are bright. 
We glisten and sparkle not because our resumes are polished with doctrines. 
We smile and laugh not because hurt filled our hearts with candy.
We have hurt and cried,
We have consulted and muted....

When poetry challenges the inner most thoughts, it inspires the mind to wake up and shine. 

The fort of success is not a preserve for those who do not have problems. 

We are human and we all have challenges nomatter how rich or poor one may be. 

Just like the next hot beat, poetry has the perfect dose to energize the mind. That is what the Afro Poetry Times October 2022 edition seeks to achieve. 

Inspiration mirrored in poetry. 

Get your digital copy from anywhere in the world from PressReader - the leading digital distributor. 

https://www.pressreader.com/canada/afro-poetry-times/20221001

Friday, September 23, 2022

Helenvale poets punch above weight with wise words


Poetry is one of the most difficult things to write, and even more so to have published.

But five young aspiring poets in Helenvale have since 2011 been taken under the wing of Brian Walter, a highly accomplished poet who won the 2000 Ingrid Jonker Prize for his debut, Tracks.

Each year, the Avbob Poetry Competition opens its doors to poets writing in all of SA’s 11 official languages.

From the beginning, the work of the youngest poets has often astonished readers.

This year, Avbob invited Walter to talk about his special interest in young poets.
Walter said poetry was a much-neglected field.

“There is not much encouragement for the writing and publishing of poems in SA.
“There are a good number of published poets writing in many of our languages in the metro, from areas such as Zwide, New Brighton and the northern areas,” Walter said.

“However, there is no outlet for this wealth of words. Where do readers buy poetry books?”

He said some members of the Helenvale Poets — five of whom he mentors — would be entering the Avbob competition this year, and he had encouraged them to do so in their individual capacity to get themselves established as independent writers.

Walter said it was always good for the poets to be acknowledged.

“Helenvale gets a lot of bad press and, indeed, there are many problems to be solved.

“But, using the title of one of [Athol] Fugard’s plays, People are living there.

“It is a privilege for me, in a small way, to enable the broader metro to see the human side of Helenvale, their hopes, aspirations, fears and the will to succeed.”

He said his young poets had read at the Nelson Mandela Metropolitan Art Museum, South End Museum, Nelson Mandela University and Alliance Française.

“We hope readers will also turn to the poems written by the group, and to our books, available at the South End Museum.

“So, this focus is welcome, it spreads the voices of the poets wider and it is used to encourage further writing.”

At the end of Walter’s first year of mentoring, the Helenvale Poets had already put together their first collection.

At present, it has 20 members between the ages of eight and 20, and 11 published poetry collections under its belt.

Many of the members’ poems bear witness to growing up in the midst of widespread unemployment and gang violence. “Writing poetry provides a safe space in which these youngsters can process difficult emotions.

“Their poems have a raw, honest energy that makes their group readings unforgettable.”

He said Leonie Williams and Luciano Roberts, two of the older members, recently participated in an online reading by the Cape Town-based Black Consciousness Poets.

Walter stressed continuity as an important factor in the poets’ growth and development.

Growth of African literature hailed


As literature from the African continent gains international stature due to its growth, it is commendable that Botswana is not left behind, said Botswana National Library Service director, Jacob Sekgoni.

Sekgoni was speaking at the recent Gaborone Book Festival. He quoted the country’s first president, Seretse Khama saying, ‘We should write our history books to prove that we did have a past and that it was just as worth writing and learning about as any other. We must do this for the simple reason that a nation and a people without a past is a people without a soul.’ He explained that even though the words were said many years ago, they were still relevant to date.

“I believe that the opening of the world and the economy post COVID-19 is an exciting chapter for all of us including such important events as the Gaborone Book Festival, which is the only existing book festival in Botswana, which was formed five years ago. I am happy that the Gaborone Book Festival Trust promotes the literary work of Batswana authors and writers, those new and established, and the literary works of other African authors who are invited this year and even in the past editions,” he said.

“This initiative could not have come at a more opportune time as our ministry, through the Botswana National Library Service, is mandated to promote and develop the literary heritage literature or local content by capacitating our local authors and writers and creating writing
forums to support the works of publishers nationwide. The Trust was set up to introduce a platform like this, as none existed in the past. There is a proliferation of literary platforms across the continent, and rightfully so,” he said.

He also said the Gaborone Book Festival also runs a School Outreach Programme that mainly targets low-income, highly populated, and hard-to-reach areas. 

He explained that those were communities on the margins of the society, where parents, guardians, and caretakers did not have the financial means to buy books for children.

He added that the Trust focused on those areas through activations especially Read Aloud sessions to ignite and plant a seed for reading at an early age. This also ensured that those communities were not left behind in the pursuit of a literate and well-informed society. He explained that reading for both children and adults was an essential lifelong life skill.

“The ability to read and write is one of the indicators of academic success for children. The inability to read excludes people from being active participants in the economy as illiteracy perpetuates poverty cycles. Having the capacity and appetite to read is essential to that process. Our libraries throughout the country have reading programmes that are responsible for inculcating and promoting the culture of reading among the general public. We are continuing to open more library branches for this purpose,” he said.

Thursday, September 22, 2022

Young South African writer who enjoys writing wins R20 000 for her short story


On Saturday 17 September Kamdebo Primary School in Lotusville, Aberdeen, made history again. Reshanique Jantjies, won two first prizes in the Growsmart provincial competition.

Reshanique, 12-years-old and in Grade 6, with her story titled, A Secret Passage, won the 1st prize for most creative story, as well as the overall 1st prize in the story writing division of the competition.

Growsmart is an educational initiative of Growthpoint Properties, presented in three provinces, Limpopo, Western Cape and Eastern Cape and consists of three divisions, mathematics, literacy and story writing. The prize-giving was hosted at the International Convention Centre in East London.

The total value of prizes Reshanique received is R20 000, which includes a laptop, fitness band, calculator, dictionary and much more. Reshanique’s mentor in the competition, Meagen Leslie, teacher at Kamdebo Primary, also received a prize of R10 000.

“This was the first time we enlisted for the competition, and we did not know what to expect. I just received an email from the department, informing us about the competition and for me it was simple: we had to!” says Daniel Pieterse the principal of the school.

Leslie explains that the whole competition started in February. Mentors received a few hours training, and the learners were equipped with all the necessary guidelines. 

Entries for the competition had to be submitted by 19 May and in the story writing division it included everything, from beginning to end – identification and building of characters, storyboard with storyline, summary of story, the story itself as well as the cover design for the storybook.

“Reshanique did all of it herself. I guided as and where necessary and her mother, Veronique Jantjies, guided her daughter carefully and consistently. But everything done and every word written, came from Reshanique herself. She is unbelievably creative.”

Leslie is still somewhat overwhelmed with their amazing achievement. “Who would think, you know, from small Aberdeen we came out and won.”

Reshanique is the second learner to put Kamdebo Primary in the limelight in a matter of weeks. 

Recently Logan Africa, a Grade 7 learner achieve second place in the Sanlam WOW Spelling Contest. Principal Pieterse is humbled by the exhilarating performance of his learners and teachers, "All but for the grace of God."

The Missouri Review's 32nd Annual Jeffrey E. Smith Editors' Prize

Deadline: October 1, 2022

The Missouri Review invites entries for its 32nd annual Jeffrey E. Smith Editors’ Prize. Winners receive $5000, publication, and promotion. 

Fiction or nonfiction entries up to 8,500 words, poetry entries up to 10 pages. 

Regular entry fee: $25. 
All-Access entry fee: $30. 

All entrants receive a 1-year digital subscription to the Missouri Review and a digital copy of Missouri Review Books’ sixth offering, Hello, I Love You, featuring previous contributors. 

All-Access entrants receive the same plus access to the past decade of digital issues of TMR. All entries considered for publication. 

Tik Tok's #BookTok is rekindling a love for reading. "#BookTok Made Me Read It" shelves pop up in book store's


Colleen Hoover, CoHo to her fans, is a prolific author of at least 20 gut-wrenching romances and thrillers. 

But it wasn’t until her 2016 novel It Ends with Us, based on the relationship between her mother and father, captured the hearts of TikTok’s devoted and vibrant community of literature lovers, #BookTok, that her popularity exploded.

Proving the subcommunity’s huge realworld effect on book sales globally, It Ends with Us debuted in January at number one on the New York Times best seller list. At the time of writing, her books hold second, third and fourth place on the pre-eminent list.

In SA, It Ends with Us has been in the Exclusive Books top 10 since July last year. Hoover is one of several authors whose older books, some published more than five years ago, are gaining traction on TikTok.

The first book for discussion in TikTok’s newly launched TikTok Book Club — a virtual space for the TikTok community to discuss “new” titles — was Jane Austen’s Persuasion.

The choice of the 1817 romantic classic recognises the BookTok community’s love for the classics, with other titles such as #thegreatgatsby and #prideandprejudice also finding a fan base on TikTok. 

Austen herself has a dedicated community of followers who share their love for her books under the hashtag #AustenTok which has 16.2-million views.

Unlike other book clubs, anyone can join TikTok’s. A new book is announced every month, and members can read along and share their experiences in-app.

There’s also a #BookClub hub, so users can find out about the month’s title, and start creating and sharing their own reviews, book covers and latest literary crush. 

The TikTok Book Club will discuss a new book every month with discussions being led by five “BookTok Laureates ”— @Bmercer, @li.reading, @edenreidreads, @cocosarel and @jackbenedwards — who have more than 1-million followers altogether.

With nearly 65-billion views to date and some individual videos reaching upwards of 100,000 likes, BookTok blossomed over the past two years, bringing together book lovers around the world.

This community, made up primarily of young women, has real power in the industry. It is popular, trendy and evidently influential.

One of the platform’s most active communities, it has become the place to find #readingrecs and #readinginspo, share reviews and tap into fan culture, boosting book discovery.

Authors who catch the attention of BookTok can suddenly reach thousands of devoted readers who will add them to their #TBR (to be read) pile immediately.

It is revitalising the publishing and bookselling industries by allowing a new generation of readers to share recommendations without the backing of a publisher, media outlet or review column. 

Now, anyone can make books fly off the shelves and brands are taking note.
Overseas, book retailers Waterstones and Barnes & Noble have teamed up with TikTok to host events in which content creators can meet in person and also with publishers to get proofs of forthcoming releases and enjoy other bookish delights.

Locally, Exclusive Books showcases the most popular reads on its #BookTok Made Me Read It shelves. Shakti Pillay, content collaborator at Exclusive Books, says the ecosystem is thriving because the young audience — 60% are aged 16-24 — prefers recommendations from peers rather than “experts.”

Pupils rewarded for their eccentric Xhosa poems


Three Merrifield pupils whose isixhosa poems won gold at the East London Eisteddfod are proud of elevating their home language.

Lilitha Madikizela, Zizikazi Bidla and Mbutokazi Mavuso said impressing the judges with their native language while delivering their poetry was a fulfilling feeling.

The three pupils said the language had the ability to express emotions and draw the attention of an audience.

Lilitha, in grade 11, was awarded a double gold and said it was her first time taking part in the isixhosa section but she had participated in the annual arts and drama festival for a number of years.

She said isixhosa was a beautiful language which needed to be embraced.

“Xhosa is a beautiful, emotive and powerful language. The adjectives convey meaning in such an exceptional manner with an emphasis on the message,” Lilitha said.

She said she felt like it was an honour to perform among beautiful and talented humans who understood their craft.

“All participants were highly talented. It was such a remarkable moment to be surrounded by such gifted people.”

Zizikazi, in grade 10, received a double gold for her poetry and said performing and seeing other talents was fulfilling.

“It felt great being able to compete with other learners and see how they had prepared their piece and performed them in front of everyone. The atmosphere was warm and safe. Everyone was there to see others shine with their skill.”

Zizikazi had been in the competition over the past years but had competed in the English section.

She said the beauty about performing in one’s own language was being able to express feelings and emotions.

“The poetry in your language makes the audience feel what you want them to feel at that very moment.”

“My language is isixhosa. This was the best thing to do because it is my home language and something I am proud of.”

She said her shining moment was walking bravely to the stage to share her craft and coming back victorious.

“My highlight was going to the stage and reciting my poem in front of a crowd I did not know and coming back with my double gold at my first isixhosa Eisteddfod,” she said.

Mbutokazi, in grade 12, scooped gold for her poetry.

“It felt empowering to compete at such a level in my language but exciting because of the support each performer received from the competitors.

“I enjoy performing in isixhosa because it is my native language. The cheering and the laughter inbetween our performances were the greatest highlights of the day,” she said.

Tuesday, September 20, 2022

Poet Marilyn Nelson wins US$100,000 lifetime achievement prize

Poetry is indeed a rewarding career!

Marilyn Nelson has won the $100,000 Wallace Stevens Award, a lifetime achievement honor presented by the Academy of American Poets for “proven mastery in the art of poetry.”

“For decades Marilyn Nelson has written a poetry that is insightful, moving, and clear, brimming with history but aimed at the future," Academy chancellor and fellow poet Kevin Young said in a statement released Monday.

"Whether writing of her father’s generation of Tuskegee Airmen, in the voices of the enslaved speaking of freedom, or about the woman in the mirror, Nelson’s work is necessary and humane, and has led the way on the page and in the world.”

Nelson, 76, is known for such collections as “The Homeplace” and “Fields of Praise,” while also writing children's books and translating works from the Danish and ancient Greek. 

John Ashbery, Adrienne Rich and Sonia Sanchez are among previous winners of the Stevens award.

South Africa’s Poetry Africa reveals keynote speaker

Poetry Africa 2022 will be hosted in the South African cities of Johannesburg, Durban, and Pietermaritzburg from October 6-16, 2022.

Poetry Africa is an international poetry festival first hosted by the Centre for Creative Arts at the University of KwaZulu-Natal in Durban, South Africa in 1996. 

The Centre for Creative Arts other famous events are Time of the Writer and the Durban International Film Festival.

The 2022 edition of Poetry Africa will start on Thursday, October 6 with a variety of activities including panels, poetry slams, and loads more. 

Some of the scheduled speakers are Belita Andre, Lebo Mashile, Mana Bugallo, Modise Segkothe, Nomashenge, Phillippa Yaa de Villiers, Roché Kester, Sabelo Soko, Siphokazi Jonas, Thando Fuze, vangile gantsho, and Xabiso Villi.

The keynote speaker for the festival is Diana Ferrus. Ferrus is a writer, poet, performance poet and storyteller. Her work has been published in various collections and some serve as prescribed texts for high school learners. 

In 2012 Diana received the inaugural Mbokodo Award for poetry. She has published three books, Ons Komvandaan, I’ve come to take you home (2010), Die vrede kom later (2019). I’ve Come To Take You Home was dedicated to the indigenous South African woman Sarah Baartman who was taken away from her country under false pretences and paraded as a sexual freak in Europe. 

This poem touched the heart of the French Senate and upon hearing it they voted unanimously that her remains should come home. 

Diana’s work has had and still has a bearing and influence on matters of race, sex and reconciliation.

Kendeka Prize for African Literature 2022 shortlist announced

The shortlist for the Kendeka Prize for African Literature 2022 was announced on Thursday, September 15, 2022.

The Kendeka Prize for African Literature is awarded for the best piece of unpublished short story either fiction or creative non-fiction. 

The first edition of the prize founded by Kenyan writer and publisher Andrew Maina was won by Botswana writer Jenny Robson in 2021.

The Judging panel for 2022 is chaired by academic and writer Dr Siphiwo Mahala and includes novelist Bisi Adjapon as well as editor and columnist Faith Oneya. 

This panel announced the longlist of ten stories from 21 African nations that had entered on September 1.

They announced the shortlisted five stories on Thursday with the following five writers;

Star Boy, Adaoro Raji, Nigeria

Isithunzi, Beverley Ann Abrahams, Zimbabwe

Chained, Scholastica Moraa, Kenya

Ashes on Platters of Gold, Ola W. Halim, Nigeria

Until Mushrooms Sprout, Joe Nyirenda, Zambia

The award ceremony will be held in Thika, Kenya on Saturday, September 24. The first Prize is KES 100,000, the second and the third prizes are KES 50,000 and KES 25,000 respectively.

Gaborone Book Festival highlights need to preserve culture by writing in vernacular


The Gaborone Book Festival was back for the fifth year in a row this past week running from September 15-17 at various venues. 

A panel discussion was held on Friday at Maitisong where author, Professor Rose Letsholo-Tafila explained that culture and language were intertwined.

She said it was hard for people to say who they are without language. She said it was through language that people define who they are. 

“It is painful to see a language die. Nowadays children speak English.
Everyone wants their children to go to English Medium Schools including the less privileged members of community. We have people in the Kalanga region teaching their children Setswana instead of their native language and if you ask why, they would say it does not have any importance in their children’s life.
If language dies, culture also dies,” she pointed out. 

She further explained that writing in iKalanga language was challenging. She added that she had to learn and refer to a manual for writing iKalanga published by some Kalanga speaking people.

She pointed out that writing in iKalanga was more difficult than writing in Setswana. 

She explained that she had to use little apostrophes and had to be conscious how certain words must sound. However, Letsholo-Tafila explained that the response to her book surpassed what she had expected.

She explained that people were interested in learning other languages spoken in Botswana including iKalanga because they were not taught at schools. 

“There is need for a change of mindset. This can only be done in a more systematic way. We must start from the top. We need change of policies. Our languages are important like any other language. We are so unused to reading our own languages.

"Language policies are showing that our language is not good enough to create jobs. It does not show that it is good enough to make an impact in the growth of our economy,” Letsholo-Tafila ended.

For her part, Dr Naledi Letshwao, who is also the author of Ithute Setswana and Ithute Kgomo, said as a linguistic she chose to write her books in Setswana because she realised that many children did not know the Setswana language and neither did they know the Setswana culture.

The show hosted many writers and poets from Botswana and across the continent. They included Angie Chuma Mogotsi, Dr Modiri Molema, Joe Kabomo, Kgomotso Jongman, Isaac Makwala, Keikantse Phele, Dr Nankie Ramabu, Zukiswa Wanner, Mandisa Mabuthoe who recited a beautiful poem and Chuma Nwokolo. 

Zimbabwean author cum poet is living his writing dream


After years of collaborating with fellow authors, South Africabased Zimbabwean writer Meluleki Sibanda has gone solo to publish his debut novel, Akugwatshwa Ngokuzala.

The novel touches on various societal issues that people encounter such as teenage pregnancy, human and drug trafficking, xenophobia and crime.

The book was published by Radiant Publishing Company after it came first in a writing competition hosted by Barbara Clara Makhalisa Nkala Literary Trust early this year.

“My debut novel Akugwatshwa Ngokuzala is a story of a woman who was excessively proud about her children, not knowing what they do for a living,” Sibanda said as he expressed delight for living his writing dream.

“Being an author is a calling for me. My passion for writing grew in 1996 when I was in Grade Seven. I was passionate about reading and preserving the Ndebele language.

“I love reading Ndebele novels, especially Mayford Sibanda, Mthandazo Ndema Ngwenya and Dingindlela Dube’s books,” he said.

Sibanda co-authored an anthology of short stories titled Izigaba Zakwandonga Ziyaduma with eight other writers in 2013 and he has two short stories in that book.

“In 2014 under the Abalobi Bakithi Organisation, we published a poetry book titled Sigiya Ngolwethu where I have 12 poems. I published another book under Abalobi Bakithi again in 2015 titled Kunjani Nxa Kunje? and is still selling like hot cakes,” he said.

“In 2015, I co-authored an anthology of short stories titled Umhlaba Wenkohlakalo with Abalondozi Bolimi. I have one short story in the book. In 2020, we published a poetry anthology titled Izwi Lezimbongi by Inkazimulo Yesizwe and I have five poems there.”

Poet Amanda Gorman recites powerful poem at UN General Assembly

South Korean pop band Blackpink and American poet Amanda Gorman took to the UN stage on Monday to urge action on climate change and other global goals that include achieving gender equality and ending hunger and poverty.

Gorman read a new poem in the UN General Assembly chamber in New York, a day before world leaders start making annual speeches to the 193-member body.

“I only ask that you care before it’s too late, that you live aware and awake, that you lead with love in hours of hate. I challenge you to heed this call, I dare you to shape our fate. Above all, I dare you to do good, so that the world might be great,” said Gorman to a round of applause.
 
Gorman and Blackpink were taking part in an event to promote the 17 sustainable development goals created by the UN in 2015.

Monday, September 19, 2022

Rural poet gets chance to see her work published


Mdantsane poet Pheliswa Nonfenu, who goes by the stage name Nolinothi Ntombezinyanya, found refuge in writing poems when her schoolmates teased her when she struggled at school.

Today, she is a step closer to fulfilling her goal of seeing her work published.

This is after she won the Best Writer at the Mzantsi Arts and Media Awards recently.

The NU10 resident said it was being chosen by her life orientation teacher to participate in a school poetry competition that introduced her to the written word. She mixes isixhosa and English.

Her writing tackles daily challenges such as gender-based violence and femicide, love, faith and motivation.

Nonfenu believes poetry helps people get to know each other and build communities. She posts some of her poems on her social media pages.

“Even at school, when I wasn’t coping, it gave me a chance to express myself.
“I got strength from my ability to write poems.

“Other schoolchildren used to laugh at me; I struggled with reading, but I realised that I needed to continue writing and now for me to be a best writer among upcoming artists is a big deal,” she said.

“My friends put my name forward for the awards, and I got a call from the awards people to submit my work.

“People voted for me. I was shocked when my name was announced as the winner.
“I’m thankful to everyone who voted,” she said.

Among her accolades are second prize in an indigenous poetry competition by Somafco (Solomon Mahlungu Feedom College Trust) in 2020, first prize in the battle of colleges and community literature in 2016, best poet in colleges in East London and best poet in public high schools of Mdantsane in 2011. 

Nonfenu said the recognition placed her among wellknowns writers in the industry. She hoped it would open more doors for her.

She said the award came with money which she hoped to use to realise her dream.

She has written more than 50 poems; poets like Lebo Mashile and Jessica Mbangeni inspire her.

“I have been pushing for a while with no funding but I’m happy I won this prestigious award.

“It has opened doors for me and I will be able to publish my first book of poems from the money that comes with the award.

“This changes everything and it’s motivating me to not give up because I’ve had a tough journey.”

She has also written books — Imbeleko Yamgodusa Umntwana Wenkazana, based on her life story, and She Overslept, about her spiritual journey — that have yet to be published.

“I want to inspire other poets to never give up. I will be hosting a poetry concert for poets to showcase their talent and celebrate each other.

“Poetry and writing means a lot to me. I change people’s lives through my work.”

Friday, September 16, 2022

Book Extract | Patrice Motsepe - On a mission to create hope and aspiration

The business aspect of Patrice Motsepe’s life is the golden thread. He grins when he talks about the "family enterprises – they made me what I am".

Involved in rebuilding the old shopping centre that the Motsepes once owned and ran in his home village of Mmakau in North West, he reflects on the people there who "always have the passion to try and make a difference".

"We have to create circumstances of hope and aspiration. I have been so privileged, immensely privileged. My father taught me that I should never stop working."

He goes back to those childhood pictures.
"You know, I once came home from boarding school – I think I was seven or eight – and I said to 'Daddy, the children at school, most of my friends, get taken on holiday'."

The Motsepe children had never been on holiday – when the other kids got the weekends off, the Motsepes were "standing behind the counter".

His father occupies "a very big space", Motsepe says, and it’s an opinion echoed by many leaders of the previous generation who hold ABC (ABC Motsepe football League) in the highest esteem. 

An example is former president Kgalema Motlanthe, who has spoken about the impact ABC had on him as an educator and an entrepreneur who never gave up.
"I had a beautiful unfair advantage," says Motsepe, "because, I’ll tell you, [my father] taught me things at a young age that [matter, such as] always be part of the community. At times my school fees weren’t paid and [yet he] would pay the fees of the students in the community. It was everything to him that people were educated."

It’s a tradition Motsepe has carried on in his own life, with the Motsepe Foundation paying for thousands of students to attend university.

"When you are young, you don’t understand it, and you [could] go through life and believe it’s all about yourself. But you realise that’s not correct, and you grow. If your community and your country doesn’t grow, you’re also retreating.

"It’s so wonderful to listen [to other people]. We get inspired as well as people getting inspired by us. There’s so many good people who say they will not give up on their country, and have that very real objective to build."

Motsepe sees SA as a pivot on the continent. This is not so much a default as his unwavering belief. He doesn’t despise people who emigrate, but he’s confused about their inability to see the "gifts" so evident in the country.

"[We have] to tell each other, this is not like any other country in Africa. We’ve got a real possibility at the moment to bring about generational multicultural and multilingual change, and these are in fact large things, but because they are somehow so difficult to put across, they [can feel like] small things."

Enlivened by this will to "South Africanise", Motsepe opens this out to the role the country has to play in the race against the climate crisis. "Bill Gates calls me and says, 'Listen, we’re putting this Breakthrough Energy [grouping] together', and before he knows it, [ I told him] 'I’m going to the COP21 in Paris', That buzzed his brain into all kinds of new arenas."

Gates, who drew Motsepe in as one of the world’s 28 high net worth individuals to be part of the initiative, identified Motsepe as an ally in the global south early on. Motsepe and his wife Precious Moloi-Motsepe were by that time already part of the billionaire’s Giving Pledge.

For that, says Motsepe, Gates called him and said, ‘We want a few families that will commit on a philanthropic basis,’ and since the Motsepe Foundation was already active, with the couple’s mindset tuned to contribute, Motsepe could agree to it immediately.

He often pays tribute to the everyday people who routinely deliver for their families and communities, against the odds, as compared to the macro-scope of being a signatory to the Giving Pledge.

"My message is, it doesn’t matter. The way that I actually see it, it doesn’t matter even if I give $100m, there’s an old lady who’s got a grant, she’s got R1,300 every month, and she gives some of her grants to her grandchildren or others, and because she does that for some time, she can’t even pay for meat, she can’t pay for vegetables. So those are the real heroes, because she makes a sacrifice. I give a big amount, but I’m still fine. My wife and children are still okay, you know. So those are the heroes we should celebrate."

Surprisingly, he seems star-struck when he talks about working closely with Leonardo DiCaprio and Matt Damon in their ecological endeavours. The three men met in the 2010s. Motsepe and Damon – whose focus is on water – were on the same programme at the Philanthropic Roundtable of the Victor Pinchuk Foundation in Davos in 2014.

"When it comes to Leonardo, initially I thought that’s [just] Hollywood, but I was so impressed," he says, pointing out that DiCaprio has recently drawn attention to the critically endangered mountain gorillas in Rwanda. The Oscar winner also supports the Virunga National Park in the Democratic Republic of the Congo, which is facing unprecedented threats.

He talks about the "incredible experience" of seeing the gorillas, then adds, "But that is about wildlife, and [we’re also learning about how to get involved in protecting] life in the oceans, which is a good part of what they do."

The spotlight on the environmental damage from Motsepe’s mines will be unrelenting as he gains an increasingly larger space in energy provision in the future. He says he’s trying to face that head-on because "mines and many other industries [are big polluters]".

"Making sure that [we] know this target of [limiting warming to] 1.5°C must be at the heart’ of business," he says. "High standards should be set from the moment a business plan is drafted."

It’s encouraging that there are now "so many initiatives" to claw the planet back to sustain human life. But to Motsepe’s mind, "the ones that are doing the incredible work" can be found at the World Economic Forum.

He believes he benefits from being "part of that process", where the attention is on climate change and "how they are going to contribute" to maintaining standards around emissions.

It’s centred on excellence – the summit being the same for all, "to make the world a better place".

His thoughts turn to other billionaires who he believes are also giving this their best shot – like Johann Rupert, because "he’s with the heart and soul of Africa". 

He won’t hear a bad word about Rupert. He even tilts his hat at Rupert’s father, Anton Rupert, despite the mangle of arguments against them.

 This extract is from the new book Patrice Motsepe:  An Appetite for Disruption by Janet Smith and Jonathan Ball Publishers.